![]() ![]() that will rock your little ones' childhood. DANCING MUSIC BOX: This music box in wood will amaze your child with its 2 magnetic figures (The Little Prince & his sheep) that turn on the dance floor. TIMELESS GIFT: A music box is a timeless object that that is carefully kept as a symbol of childhood.ĮNCHANTING BRAND: Enter TROUSSELIER's magical world: music boxes, jewelry boxes, nightlights, soft toys, musical mobiles, rattles. SINGLE OPERATION: Turn the key under the box and place the figurines on the magnetic "dance floor" to make them dance. Magic! The characters turn to the sound of music. The 2 figurines are removable: The child can play with them.ĪWAKEN YOUR CHILD: Introduce your little ones to classical music with its sweet lullaby inspired by Strauss's "Blue Danube". This Music Box is a classic of the birth gift. IDEAL FROM BIRTH: This musical box set will look great to decorate the child's room. The two best known versions were written by Charles Perrault 2 and the Brothers Grimm. The legendary European fairy tale is given a Twilight-style Hollywood spin with Amanda Seyfried as Valerie, the scarlet-robed village girl stalked by a. ![]() 1 Its origins can be traced back to several pre-17th century European folk tales. 20th May - 13th June 2015.DANCING MUSIC BOX: This music box in wood will amaze your child with its 2 magnetic figures (The Little Prince & his sheep) that turn on the dance floor. ' Little Red Riding Hood ' is a European fairy tale about a young girl and a sly wolf. Ruth Bunnewell and Louise Holgate. Highgate Contemporary Art. Opening solo exhibition for The Gallery Norfolk. (New Norwich branch). Spring exhibition. Stark Gallery, Canterbury. 'An Artist's View'. The Sentinel Gallery, Wivenhoe. I believe strongly in trying to create work that supports itself by merit and does not rely on the idea or concept that it is based upon.īTEC Foundation Diploma in Art and Design 1998 – 1999īoth at Norwich School of Art and Design (now renamed Norwich University College of the Arts) Although this is the basis for a lot of my work, I want the aesthetics of each piece to be of equal importance, allowing the work to stand up based on this quality alone. I am interested in the notion that certain places have memories attached to them, and in the way that these memories alter emotions connected to, and perceptions of, a place. I focus equally on two aspects in my work, the first being the aesthetic quality, whilst the second is an attempt to capture an atmosphere connected to a place. There is always more to Ruth's penetrating, narrative paintings than meets the eye. Henry brings Valerie to the church, where the Wolf bites off Father Solomons hand with silver-coated fingernails. Ruth Bunnewell is exceptionally good at introducing pervading tones of emotional light and shade in her paintings. Movement is key, as is a sense of travel, a road trip, the suggestion of depth and middle distance over her territory. In her painting ‘Twilight Trees’, the trees assume the aspect of striding figures, sculptural like Giacomettis. Her work has a filmic quality, sometimes the Scandinavian darkness and atmosphere of a Chekhov play or, as in ‘Mousehold Seen from Barrack Street’ the feel of Japanese animations. Ruth often paints on a dramatic scale, enjoying the expansiveness and story telling possibilities of triptychs or diptychs, though each painting must stand alone. Indeed trees, either solitary or in groupings, and the different atmospheres they can convey are a preoccupation which suggests the significance of the forest in fairy tales and Little Red Riding Hood. ![]() Ruth Bunnewell uses the entire spectrum of colours in her attention grabbing, somewhat futuristic paintings of the Norfolk landscape, and her searing colours are even “brighter and bolder” in this new selection of work of winding roads and particularly trees. ![]()
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